STS9’s New Album Charts at Billboard and iTUNES
This Week, STS9 finds their brand-new, highly anticipated studio album, Peaceblaster, charting: #10 on Billboard's Electronic Chart, #27 on Billboard's Heatseeker Chart, and #2 on iTUNES Electronic Chart. Peaceblaster was released on the band's self-owned record label, 1320 Records, on July 8th -just in time for their summer tour.
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  • Leftover Salmon is breaking up or taking a break?
    Leftover Salmon after 15 yrs says no more.. a hiatus or good-bye for good? read more..

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  • Leftover Salmon is breaking up or taking a break?
    Leftover Salmon after 15 yrs says no more.. a hiatus or good-bye for good? read more..

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  • Mark Karan interview - 4/21/01
    Mark Karan interview

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  • Railroad Earth
    With nearly 400 shows and tens of thousands of road miles now behind them, Railroad Earth has become a staple on the national touring and festival scene, and built a huge following of loyal fans that document and trade every note they play, and often join them on the road for multiple nights. These fans call themselves “Hobos,” and the band considers them to be the fuel that keeps this engine chugging along. Railroad Earth’s next album is planned for release in Spring 2004. Till then the band will continue to bring their music to the stage from East to West. So keep an ear to the ground and listen for Railroad Earth, because they'll be rolling through your town very soon.

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  • ten2nine
    "I hate to break the news to you, but you guy's may have finally put all the pieces together. This new ep is the best work I've heard from you ever! The writing, lyrics and music is superb, the performance is top notch and [Jim Leguilloux's] production gives it a true professional gloss." - Ron Gilmour, Power 104 Kelowna, BC

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  • Metharia
    The debut on the band was on 18th January 2000, when Metharia won the festival "Le Quattro Notti Rock." In June 2003 they are one of the three winners of the "NMC festival,' in Marcerta winning the award for the best live performance.

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  • Signal Path
    Armed with new jungle juice, they are warming up and ready to play. They opened up with a latenight show in Atlanta and continued on to Mountain View Jam Festival in North Carolina. Coast to coast, they'll be working their way to SummerCamp, Wakarusa, and High Sierra Music Festival.

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  • T-Band
    Jim Dooney plays guitar and does most of the lead vocals. He is great at getting everyone involved in the fun by taking requests or choosing the perfect song for any situation. Amy Anderson plays the stand up bass and sings harmony. Amy is the musical backbone of the band. Her playing punch and solid timing keeps us all together in our all acoustic environment. Robert Griffith plays banjo and sings harmony. Rob drives the band with lightning fast fingers and great improvising skills. Rich Egan plays mandolin and does some vocals. Rich keeps your feet tapping and your fingers snapping with his rhythm chops and is great at playing tasteful solos."

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  • Shanti Groove (September 2003)
    Shanti's groove moves along acoustical and electrical lines, combining the voice of jazz and rock with back porch bluegrass and funktified percussion. Bringing their unique sound to venues nationwide, the band provides a musical celebration of the 'groove' kind.

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  • Kelly's running column
    In this column I want to talk to you about Ghent. Ghent is the capital of the province East-Flanders in Belgium, a small country in Europe, and has about 225, 000 inhabitants.

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  • Kelly's running column
    In this column I want to talk to you about Ghent. Ghent is the capital of the province East-Flanders in Belgium, a small country in Europe, and has about 225, 000 inhabitants.

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  • Curious Yellow (August 2003)
    After fronting a couple bands in the mid 90s in California and spending the next several years developing his musical and songwriting talents in Japan and Minneapolis, Adam Lancaster landed in Denver in 2000 and founded the band. The band took on many formations and seemingly endless lineup changes for about a year until the perfect complimentary additions of Gregg Rosenthal (drums), Josh Eckhoff (guitar), and Matt Novack (bass, vocals) created a sound and style beyond what Adam could have hoped for. This new talented group immediately began writing songs and reworking old songs to create music and a performance that attracts and engages every listening audience. The personal and musical bond between each member deepened quickly and the dedication from everyone to develop the band to its fullest possibilities is evident.

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  • New Monsoon (June 2003)
    Utilizing congas, timbales, tabla, banjo, bongos, Dobro, ghatham, Didgeridoo, electric and acoustic guitars, bass, drum kit and keys, the band offers a plethora of textures, rhythms, ideas and moods. New Monsoon absorbs elements of sound indigenous to world culture and incorporates them into a variety of colorful and original rhythmic compositions.

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  • One Way Rider (May 2003)
    "One Way Rider has taken Nashville by storm! It was an honor to have them perform on the Interstate Radio Network a network of over twenty stations that broadcast from Music City and airs nationwide and in Canada. Locally in Nashville, the IRN broadcast on WSM 650 AM, the home of the Grand Ole Opry. The response was great! We cant wait to have them come back on the air and play for us again. It was so good to be with folks that live and love the bluegrass way, truly a blessed family. David and Valerie are a great example of what a family can accomplish together."

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  • Smokestack (January 2003)
    “The quality of playing blew me away. All four guys were stars, but that keyboard player is a superstar. Very Hornsby in his writing and singing, very Medeski with his jams. I have had the CD for a few months, and being a little familiar with the songs impressed me even more.” CanJam News Toronto, Canada

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  • The Miltones (December 2002)
    Formed in the summer of 2000, the Miltones have already performed over 350 shows in under 28 months. Their high volume of gigs has enabled the band to mature and explore a range of musical directions that make them a formidable artistic act. Simultaneously their music seems to embrace a level of healing and celebration that make them both accessible and fortunate for the audiences they have attracted.

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  • Ripple (November 2002)
    When Ripple started out in an Old Tappan, NJ basement during early 1978, none of us thought we would be discussing the possibilities of playing together for 25 years. But that’s exactly what happened. From the early day’s of playing friends parties (usually when the Parent’s were away) to all the great nightclubs and other interesting venues we’ve performed at during the years, we’ve met some amazing people and formed life long friendships that will long out live the Band.

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  • Fair To Midland (September 2002)
    Brett Stowers and Nathin Seals offer a rhythmic passion that leads the humble gentlemen in their avant-garde sound. The unearthed discord and unconventional cries of frontman Andrew Sudderth infused with guitarist Cliff Campbell's melodic fury tumble into a captivating creation of sonics, cultures, and confusion. Combined with the subtle offering of Matt Langley on keys, FTM glides past the expected boundries and gracefully throws their intense rock harmonies to the flame.

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  • The Few (July 2002)
    "We did it in chunks, whenever he was available," says Burnside. "Living there, and playing in the clubs, it raises your game." The result, an explosive, hooky collection that echoes Burnside's love of the Replacements and fascination with the Cure, is startling from a 22-year-old who took up guitar only three years ago.

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  • One Cat Left (May 2002)
    Pete’s former association with TOM MARSHALL of PHISH led to the band AMFIBIAN. It was here in this situation that Pete found his voice and his motivation..

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  • Mt. Kilimanjaro!
    In one scene we saw a hippo in the river, a croccodile laying on the bank just beside it, and a waterbuck stanking near in the grass!

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  • Grateful Web Interview with Madison House and SCI Ticketing
    SCI interview

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  • Sativa Gumbo (April 2002)
    Sativa Gumbo

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  • Pamela's stories from Africa
    This month I'll continue teaching English at the school, organize a second beekeeping seminar, begin making fuel-efficient stoves, and track down another place to buy modern breed roosters.

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  • Yamagata (June 2001)
    Yamagata

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  • JSwine (October 2000)
    JSwine

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  • Mark Karan (August 2000)
    Mark Karan

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  • Moses Guest (September 2000)
    Moses Guest

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  • Uncle Sammy (July 2001)
    Uncle Sammy

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  • Solomon Grundy (April 2001)
    Solomon Grundy

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  • Tonal Vision (May 2001)
    Tonal Vision

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  • Cosmic Dust Devils (December 2001)
    Cosmic Dust Devils

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  • Purple Buddah (November 2001)
    Purple Buddah

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  • Shakedown Street (February 2002)
    Shakedown Street

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  • Dark Star Orchestra (December 2000)
    Dark Star Orchestra

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  • Widespread Panic in the City of Dreams
    Okay let’s face it, Widespread Panic doesn’t have the largest following in the city of Philadelphia. On the other hand, sometimes it’s better to see a great band in a place where the crowd is small. Such was the case on this July night at Festival Pier. This was the last show before their performance at the All Good Music Festival the next day. I’ve never seen such a tiny crowd for a Panic show, and this is one part of what made it such an interesting evening.

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  • Widespread Panic in the City of Dreams
    Okay let’s face it, Widespread Panic doesn’t have the largest following in the city of Philadelphia. On the other hand, sometimes it’s better to see a great band in a place where the crowd is small. Such was the case on this July night at Festival Pier. This was the last show before their performance at the All Good Music Festival the next day. I’ve never seen such a tiny crowd for a Panic show, and this is one part of what made it such an interesting evening.

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  • Trey Anastasio, Don Hart & Orchestra Nashville Debut "Time Turns Elastic"
    On September 27, 2008, Orchestra Nashville and Trey Anastasio will give Time Turns Elastic its debut performance at the orchestra’s 2008-2009 season opener at Nashville’s famed Ryman Auditorium. Co-composed by Anastasio and Orchestra Nashville Composer-in-Residence Don Hart (who also orchestrated the piece) and conducted by Music Director Paul Gambill, Time Turns Elastic is a groundbreaking work for vocals, electric guitar and orchestra.

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  • Trey Anastasio, Don Hart & Orchestra Nashville Debut "Time Turns Elastic"
    On September 27, 2008, Orchestra Nashville and Trey Anastasio will give Time Turns Elastic its debut performance at the orchestra’s 2008-2009 season opener at Nashville’s famed Ryman Auditorium. Co-composed by Anastasio and Orchestra Nashville Composer-in-Residence Don Hart (who also orchestrated the piece) and conducted by Music Director Paul Gambill, Time Turns Elastic is a groundbreaking work for vocals, electric guitar and orchestra.

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  • The Waybacks Are Loaded for Bear
    “There have been some festivals that have been concerned about the drums,” Hamilton said then. “Frankly, there have been a few festivals we probably could have played without drums, and they didn't want us with drums. To me, that's not what it's all about. We're a band, and we have a sound. You either like us or you don't.”

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  • The Waybacks Are Loaded for Bear
    “There have been some festivals that have been concerned about the drums,” Hamilton said then. “Frankly, there have been a few festivals we probably could have played without drums, and they didn't want us with drums. To me, that's not what it's all about. We're a band, and we have a sound. You either like us or you don't.”

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  • The Waybacks Are Loaded for Bear
    “There have been some festivals that have been concerned about the drums,” Hamilton said then. “Frankly, there have been a few festivals we probably could have played without drums, and they didn't want us with drums. To me, that's not what it's all about. We're a band, and we have a sound. You either like us or you don't.”

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  • Mile High Music Festival Photos
    The inaugural Mile High Festival is taking place this weekend. Grateful Web is on hand to snap pictures and expect a write-up from the weekend soon. Please check back for lots more pictures soon.

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  • Mile High Music Festival Photos
    The inaugural Mile High Festival is taking place this weekend. Grateful Web is on hand to snap pictures and expect a write-up from the weekend soon. Please check back for lots more pictures soon.

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  • Heating Up a Batch of Extra Golden
    Merging American rock with African benga music from Kenya is a bold mix, but Extra Golden has the daring and the chops to do it. Ian Eagleson (guitar) had been studying African music since 1995, traveling as often as he could to Kenya to document traditional popular music played by the masters of the craft. When Eagleson got a visa to live and conduct his research on his Ph.D. there for a full year, he eagerly packed up everything and spent 2004 in the streets and small clubs of Nairobi.

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  • Heating Up a Batch of Extra Golden
    Merging American rock with African benga music from Kenya is a bold mix, but Extra Golden has the daring and the chops to do it. Ian Eagleson (guitar) had been studying African music since 1995, traveling as often as he could to Kenya to document traditional popular music played by the masters of the craft. When Eagleson got a visa to live and conduct his research on his Ph.D. there for a full year, he eagerly packed up everything and spent 2004 in the streets and small clubs of Nairobi.

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  • Heatbox Lights a Fire
    One of the most unusual acts at this year's 10,000 Lakes Festival is Minneapolis artist, Heatbox. Aaron Heaton, performing as Heatbox for the past five years, has created a one-man show that has to be seen to be believed. He's not a comedian, and he's not a singer or a rapper, though there is some of that in his show. He definitely is not a musician, and he's the first to admit he’s not an experienced musician. “I play the drums, the keyboard, and the bass--all badly,” he says. “ I played the tuba for a long time.”

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  • Heatbox Lights a Fire
    One of the most unusual acts at this year's 10,000 Lakes Festival is Minneapolis artist, Heatbox. Aaron Heaton, performing as Heatbox for the past five years, has created a one-man show that has to be seen to be believed. He's not a comedian, and he's not a singer or a rapper, though there is some of that in his show. He definitely is not a musician, and he's the first to admit he’s not an experienced musician. “I play the drums, the keyboard, and the bass--all badly,” he says. “ I played the tuba for a long time.”

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  • Heatbox Lights a Fire
    One of the most unusual acts at this year's 10,000 Lakes Festival is Minneapolis artist, Heatbox. Aaron Heaton, performing as Heatbox for the past five years, has created a one-man show that has to be seen to be believed. He's not a comedian, and he's not a singer or a rapper, though there is some of that in his show. He definitely is not a musician, and he's the first to admit he’s not an experienced musician. “I play the drums, the keyboard, and the bass--all badly,” he says. “ I played the tuba for a long time.”

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  • Cooking with Cornmeal
    “We’ve played the serious bluegrass festivals,” Gangi admitted, “and we enjoy doing that just as much as we enjoy doing the jamband festivals. We can also do the rock thing, rock festivals, country, folk festivals. We kind of curve our show a little bit, to bend and flex, to fit into all these types of venues.” This has allowed them to bring their original songs to a wide audience. “Our fan base will run the gamut of a 60 year old country and western fan to the traditional bluegrass fan to the young, 18 year old jam fan,” Gangi added.

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  • Cooking with Cornmeal
    “We’ve played the serious bluegrass festivals,” Gangi admitted, “and we enjoy doing that just as much as we enjoy doing the jamband festivals. We can also do the rock thing, rock festivals, country, folk festivals. We kind of curve our show a little bit, to bend and flex, to fit into all these types of venues.” This has allowed them to bring their original songs to a wide audience. “Our fan base will run the gamut of a 60 year old country and western fan to the traditional bluegrass fan to the young, 18 year old jam fan,” Gangi added.

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  • Cooking with Cornmeal
    “We’ve played the serious bluegrass festivals,” Gangi admitted, “and we enjoy doing that just as much as we enjoy doing the jamband festivals. We can also do the rock thing, rock festivals, country, folk festivals. We kind of curve our show a little bit, to bend and flex, to fit into all these types of venues.” This has allowed them to bring their original songs to a wide audience. “Our fan base will run the gamut of a 60 year old country and western fan to the traditional bluegrass fan to the young, 18 year old jam fan,” Gangi added.

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  • Mile High Festival - Sunday Photos
    Grateful Web was again on-hand today at the Mile High Festival, just outside of Denver, Colorado. Check out photos from today's bands and festival-goers. We'll have a lot more pictures and a full write-up soon.

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  • Mile High Festival - Sunday Photos
    Grateful Web was again on-hand today at the Mile High Festival, just outside of Denver, Colorado. Check out photos from today's bands and festival-goers. We'll have a lot more pictures and a full write-up soon.

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  • Rothbury Festival Photos!
    Amanda Bell was covering the Rothbury Festival on behalf of the Grateful Web. Her pictures are starting to roll in. Right now we have Thursday pictures up, but check back throughout the week as we add a lot more pictures from the remainder of the weekend. Also, Amanda's Rothbury write-up will be coming soon. Thanks to the kind folks at Madison House for their warm hospitality.

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  • Rothbury Festival Photos!
    Amanda Bell was covering the Rothbury Festival on behalf of the Grateful Web. Her pictures are starting to roll in. Right now we have Thursday pictures up, but check back throughout the week as we add a lot more pictures from the remainder of the weekend. Also, Amanda's Rothbury write-up will be coming soon. Thanks to the kind folks at Madison House for their warm hospitality.

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  • All Good Music Festival Recap
    This year it was hard not to notice the spectacular lineup. In this reviewer’s humble opinion, it was the best lineup of the summer with not a single act on the main stage that should have been missed. If you are a guitarist, this festival offered you the chance to hear some of the most prominent guitarists in the scene today: Warren Haynes, Derek Trucks, Jimmy Herring, and John Scofield. If you’re a bassist then it’s hard not to notice that Phil Lesh, Mike Gordon, and Dave Schools were all on the lineup. Beyond that even; the talent as a whole present in the acts this weekend was much better than I had anticipated.

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  • All Good Music Festival Recap
    This year it was hard not to notice the spectacular lineup. In this reviewer’s humble opinion, it was the best lineup of the summer with not a single act on the main stage that should have been missed. If you are a guitarist, this festival offered you the chance to hear some of the most prominent guitarists in the scene today: Warren Haynes, Derek Trucks, Jimmy Herring, and John Scofield. If you’re a bassist then it’s hard not to notice that Phil Lesh, Mike Gordon, and Dave Schools were all on the lineup. Beyond that even; the talent as a whole present in the acts this weekend was much better than I had anticipated.

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  • FENNARIO – SONGS BY JERRY GARCIA & ROBERT HUNTER
    The wide range of music on Fennario draws from the same American palette that inspired Garcia and Hunter, from the sweet country of “It Must Have Been the Roses” to the Memphis rock and roll of “Tennessee Jed” to the Muscle Shoals soul of “Sugaree.” To produce the album, Joseph enlisted the core group of top-shelf multi-instrumentalists he’d used on his critically acclaimed debut album, Labor & Spirits: Tom “T-Bone” Wolk (Hall and Oates, The SNL Band), Duke Levine and Jon Carroll (Mary Chapin Carpenter), and vocalist Soozie Tyrell (The E-Street Band).

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  • FENNARIO – SONGS BY JERRY GARCIA & ROBERT HUNTER
    The wide range of music on Fennario draws from the same American palette that inspired Garcia and Hunter, from the sweet country of “It Must Have Been the Roses” to the Memphis rock and roll of “Tennessee Jed” to the Muscle Shoals soul of “Sugaree.” To produce the album, Joseph enlisted the core group of top-shelf multi-instrumentalists he’d used on his critically acclaimed debut album, Labor & Spirits: Tom “T-Bone” Wolk (Hall and Oates, The SNL Band), Duke Levine and Jon Carroll (Mary Chapin Carpenter), and vocalist Soozie Tyrell (The E-Street Band).

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  • Wood Brothers Creating Quite a Fire
    Musical siblings, the Wood Brothers, will be returning to the 10,000 Lakes Festival this year, touting their latest CD, Loaded. Two years ago, in 90+ heat, festival fans packed the Barn Stage to see this mix of southern backroads and big city boulevards. In their own version of country mouse and city mouse, Oliver Wood, who had been saturated with Georgia blues and rock, and his brother Chris, the standup bass player with the jazz trio Medeski Martin & Wood, showed the world that they could carve out something totally unique from what either of them had been known for.

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  • Wood Brothers Creating Quite a Fire
    Musical siblings, the Wood Brothers, will be returning to the 10,000 Lakes Festival this year, touting their latest CD, Loaded. Two years ago, in 90+ heat, festival fans packed the Barn Stage to see this mix of southern backroads and big city boulevards. In their own version of country mouse and city mouse, Oliver Wood, who had been saturated with Georgia blues and rock, and his brother Chris, the standup bass player with the jazz trio Medeski Martin & Wood, showed the world that they could carve out something totally unique from what either of them had been known for.

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  • Wood Brothers Creating Quite a Fire
    Musical siblings, the Wood Brothers, will be returning to the 10,000 Lakes Festival this year, touting their latest CD, Loaded. Two years ago, in 90+ heat, festival fans packed the Barn Stage to see this mix of southern backroads and big city boulevards. In their own version of country mouse and city mouse, Oliver Wood, who had been saturated with Georgia blues and rock, and his brother Chris, the standup bass player with the jazz trio Medeski Martin & Wood, showed the world that they could carve out something totally unique from what either of them had been known for.

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  • The Hue Bringing New Color to 10KLF
    “Even with the electronic scene going on, everything is sort of growing off of its roots. People are taking those roots and kind of developing them into kind of what's happening right now in the scene. It's keeping the fans on their toes. Now people don't know what they're going to get these days. It could be anything. Our thing is to keep people really interested in every moment as much as possible, taking them through this ride and keeping them on as long as we can...We just want to do something different from everybody that kind of deviates from the normal jamband kind of stuff and sends some people to do some different kinds of stuff. We do improvise a lot and still jam out a lot, but we use our compositional skills a lot, too. Maybe people won't even know that parts are written necessarily. It kind of sounds like an improvised thing....We're just trying to do a little different kind of stuff.”

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  • The Hue Bringing New Color to 10KLF
    “Even with the electronic scene going on, everything is sort of growing off of its roots. People are taking those roots and kind of developing them into kind of what's happening right now in the scene. It's keeping the fans on their toes. Now people don't know what they're going to get these days. It could be anything. Our thing is to keep people really interested in every moment as much as possible, taking them through this ride and keeping them on as long as we can...We just want to do something different from everybody that kind of deviates from the normal jamband kind of stuff and sends some people to do some different kinds of stuff. We do improvise a lot and still jam out a lot, but we use our compositional skills a lot, too. Maybe people won't even know that parts are written necessarily. It kind of sounds like an improvised thing....We're just trying to do a little different kind of stuff.”

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  • The Hue Bringing New Color to 10KLF
    “Even with the electronic scene going on, everything is sort of growing off of its roots. People are taking those roots and kind of developing them into kind of what's happening right now in the scene. It's keeping the fans on their toes. Now people don't know what they're going to get these days. It could be anything. Our thing is to keep people really interested in every moment as much as possible, taking them through this ride and keeping them on as long as we can...We just want to do something different from everybody that kind of deviates from the normal jamband kind of stuff and sends some people to do some different kinds of stuff. We do improvise a lot and still jam out a lot, but we use our compositional skills a lot, too. Maybe people won't even know that parts are written necessarily. It kind of sounds like an improvised thing....We're just trying to do a little different kind of stuff.”

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  • Grateful Web Live Coverage of Day 1 at the 10KLF
    When Gold Standard and Comosapiens started things off at 6pm at the Barn Stage and the Saloon, it was starting to rain with some seriousness. I wondered how The New Primitives would fare at the open air Field Stage. While I gathered my gear to cover the evening events, Stan Kipper and his band mates were delving into the first songs of their set. By the second song, the rain had stopped and the sun came out. The band that is known to set the tone for this festival could even change the weather!

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  • Grateful Web Live Coverage of Day 1 at the 10KLF
    When Gold Standard and Comosapiens started things off at 6pm at the Barn Stage and the Saloon, it was starting to rain with some seriousness. I wondered how The New Primitives would fare at the open air Field Stage. While I gathered my gear to cover the evening events, Stan Kipper and his band mates were delving into the first songs of their set. By the second song, the rain had stopped and the sun came out. The band that is known to set the tone for this festival could even change the weather!

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  • I hereby declare the inaugural Mile High Music Festival a success!
    This year was the festival’s inaugural year, and as far as I could tell, the affair went off without a hitch. And I love festivals. There is something savory about the vibe put off by people at a festival, something uniquely and honestly human. Even though the weather is hot, even though there are lines for the bathroom, lines for food, lines to buy tee shirts, even though the beer costs $8 and a salad costs $11, the majority of people are happy, enjoying themselves to the utmost, and you can learn a lot about people by how they act when they enjoy themselves. The eternal voyeur, I forsook the luxuries granted to me by my media wristband. Air-conditioned bathrooms, special bleachers to sit on, access to the media tent with wireless internet access, a true music junkie craves not these things. I got out amongst the people, and met some fairly interesting ones at that. It was a weekend filled with music, and the intensity of the human spirit.

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  • I hereby declare the inaugural Mile High Music Festival a success!
    This year was the festival’s inaugural year, and as far as I could tell, the affair went off without a hitch. And I love festivals. There is something savory about the vibe put off by people at a festival, something uniquely and honestly human. Even though the weather is hot, even though there are lines for the bathroom, lines for food, lines to buy tee shirts, even though the beer costs $8 and a salad costs $11, the majority of people are happy, enjoying themselves to the utmost, and you can learn a lot about people by how they act when they enjoy themselves. The eternal voyeur, I forsook the luxuries granted to me by my media wristband. Air-conditioned bathrooms, special bleachers to sit on, access to the media tent with wireless internet access, a true music junkie craves not these things. I got out amongst the people, and met some fairly interesting ones at that. It was a weekend filled with music, and the intensity of the human spirit.

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  • Day Two 2008 10KLF Live!
    The highlight for the evening, for me, was Mickey Hart. Vocals were led by Jan Gerkin of Deep Banana Blackout. Doing her backup vocals were Kyle Hollingsworth on keys, and he even took lead on a couple of tunes. Meter’s bassist George Porter, Jr, did vocal honors on “Fire on the Bayou.”

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  • Day Two 2008 10KLF Live!
    The highlight for the evening, for me, was Mickey Hart. Vocals were led by Jan Gerkin of Deep Banana Blackout. Doing her backup vocals were Kyle Hollingsworth on keys, and he even took lead on a couple of tunes. Meter’s bassist George Porter, Jr, did vocal honors on “Fire on the Bayou.”

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  • JJ Grey & Mofro Announce Second Annual Blackwater Sol Revue
    Hailing from North Florida and known for their raw and swampy funk rock, JJ Grey & Mofro announce their second annual Blackwater Sol Revue at The Saint Augustine Amphitheatre on August 30th. JJ Grey, who comes from a long tradition of Southern storytellers, created the one-day festival to help promote roots and southern music and culture. In addition, this year's Blackwater Sol Revue is the Florida album release party for his brand new studio album, Orange Blossoms, his second release on Alligator Records, which hits stores nationwide on August 26.

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  • JJ Grey & Mofro Announce Second Annual Blackwater Sol Revue
    Hailing from North Florida and known for their raw and swampy funk rock, JJ Grey & Mofro announce their second annual Blackwater Sol Revue at The Saint Augustine Amphitheatre on August 30th. JJ Grey, who comes from a long tradition of Southern storytellers, created the one-day festival to help promote roots and southern music and culture. In addition, this year's Blackwater Sol Revue is the Florida album release party for his brand new studio album, Orange Blossoms, his second release on Alligator Records, which hits stores nationwide on August 26.

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  • Day Three at 10KLF - 2008 Live!
    The guys played their entire new album, Loaded, and a couple from their previous recording on Compass Records. They played “Black Cat” right off. But it was their “Northwest Passage” about global warming, weitten as if it were a sea chanty, was amazing. There were plenty of Waybacks fans there who were singing along, even on a record that was just months old. James Nash easily moved from acoustic guitar to mandolin, but when he picked up the electric guitar, the band launched into a medley, including a Dead tune, a Texas swing number, and a rock and roll tune.

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  • Day Three at 10KLF - 2008 Live!
    The guys played their entire new album, Loaded, and a couple from their previous recording on Compass Records. They played “Black Cat” right off. But it was their “Northwest Passage” about global warming, weitten as if it were a sea chanty, was amazing. There were plenty of Waybacks fans there who were singing along, even on a record that was just months old. James Nash easily moved from acoustic guitar to mandolin, but when he picked up the electric guitar, the band launched into a medley, including a Dead tune, a Texas swing number, and a rock and roll tune.

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  • Colorado HippieFest Leaves Audience Dazed and Confused
    His set may have been short, but what Bruce made of it as bassist and vocalist reaffirmed his notoriety as a bass player and gave a performance that put forward everything he had to offer. Opening with "Sunshine of Your Love," Bruce easily got the audience up and moving immediately with the song's all too familiar bass and guitar introduction melody. Another great song, "I Feel Free" was performed with great interaction between vocals as Bruce and a backup vocalist recreated exactly the upbeat intro to the song. The replication of the recorded version of the song only continued as the song carried on, the audience still singing and swaying along.

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  • Colorado HippieFest Leaves Audience Dazed and Confused
    His set may have been short, but what Bruce made of it as bassist and vocalist reaffirmed his notoriety as a bass player and gave a performance that put forward everything he had to offer. Opening with "Sunshine of Your Love," Bruce easily got the audience up and moving immediately with the song's all too familiar bass and guitar introduction melody. Another great song, "I Feel Free" was performed with great interaction between vocals as Bruce and a backup vocalist recreated exactly the upbeat intro to the song. The replication of the recorded version of the song only continued as the song carried on, the audience still singing and swaying along.

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  • Last Day of 2008 10KLF
    Earlier, Oliver had made a comment about the nice people in Minnesota. Someone from the audience called out, “Yeah, but do they know Jesus?” Without missing a beat, Oliver said calmly, “I'm sure they do, but they keep it to themselves.” It was one of the nicest responses to what could have been an uncomfortable exchange.

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  • Last Day of 2008 10KLF
    Earlier, Oliver had made a comment about the nice people in Minnesota. Someone from the audience called out, “Yeah, but do they know Jesus?” Without missing a beat, Oliver said calmly, “I'm sure they do, but they keep it to themselves.” It was one of the nicest responses to what could have been an uncomfortable exchange.

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  • Hal Ketchum's New Album, 'Father Time,' Streets 9/9
    Hal Ketchum recorded his new album, Father Time, without a net. He amassed more than a dozen new original songs plus a dream team of musicians and entered the studio to record the album live to two-track. There were no overdubs and only a few second takes. “When I went into this project, my mentality was that this is either going to work or not,” Ketchum says. But at the end of the first day, with nine songs finished, he knew the experiment was a success.

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  • Hal Ketchum's New Album, 'Father Time,' Streets 9/9
    Hal Ketchum recorded his new album, Father Time, without a net. He amassed more than a dozen new original songs plus a dream team of musicians and entered the studio to record the album live to two-track. There were no overdubs and only a few second takes. “When I went into this project, my mentality was that this is either going to work or not,” Ketchum says. But at the end of the first day, with nine songs finished, he knew the experiment was a success.

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  • Garaj Mahal's New CD, 'w00t,' - Street Date 9/9/2008
    When you hear your first Garaj Mahal note, leading into an innovative fusion of funky jazz with a tasty world music flair, all other thoughts leave your mind as the music takes you on an unforgettable voyage. Fans return to experience the band again and again because they know they will always hear something new and progressive from these four first-class musicians: guitar and sitar virtuoso Fareed Haque, world-renowned bass master and educator Kai Eckhardt, gospel-inspired funky jazz keyboardist Eric Levy, and consistently in-the-pocket, natural-born drummer Alan Hertz, Garaj Mahal combines a century of musical experience to create a sound that's always new, freshly infused with a wide spectrum of musical expression, and always smoking hot.

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  • Garaj Mahal's New CD, 'w00t,' - Street Date 9/9/2008
    When you hear your first Garaj Mahal note, leading into an innovative fusion of funky jazz with a tasty world music flair, all other thoughts leave your mind as the music takes you on an unforgettable voyage. Fans return to experience the band again and again because they know they will always hear something new and progressive from these four first-class musicians: guitar and sitar virtuoso Fareed Haque, world-renowned bass master and educator Kai Eckhardt, gospel-inspired funky jazz keyboardist Eric Levy, and consistently in-the-pocket, natural-born drummer Alan Hertz, Garaj Mahal combines a century of musical experience to create a sound that's always new, freshly infused with a wide spectrum of musical expression, and always smoking hot.

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  • Bonerama Hits Colorado
    Since live performance is what Bonerama is all about, it's no coincidence that their third album, Bringing It Home, is also their third consecutive live disc. It also testifies to the amount of tightening-up the band's done in recent years. Joining another stack of Bonerama originals are covers ranging from the Meters and George Porter Jr. to the Beatles (two from the White Album, no less) to Thelonious Monk. And when they take on Led Zeppelin's "The Ocean" - with trombones doing the familiar backing vocals along with the big guitar riff - you can practically hear the audience's jaws dropping.

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  • Bonerama Hits Colorado
    Since live performance is what Bonerama is all about, it's no coincidence that their third album, Bringing It Home, is also their third consecutive live disc. It also testifies to the amount of tightening-up the band's done in recent years. Joining another stack of Bonerama originals are covers ranging from the Meters and George Porter Jr. to the Beatles (two from the White Album, no less) to Thelonious Monk. And when they take on Led Zeppelin's "The Ocean" - with trombones doing the familiar backing vocals along with the big guitar riff - you can practically hear the audience's jaws dropping.

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  • Richie Havens' 'Nobody Left To Crown' Streets Today
    A sense of timelessness rings throughout Richie Havens' latest release, Nobody Left to Crown, as though the passing years have only strengthened the meaning of his soul-filled folk rock. Nobody Left to Crown, released to the US on Verve Records on July 29th, attests that Richie Havens has never been more relevant, necessary even, than he is today.

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  • Richie Havens' 'Nobody Left To Crown' Streets Today
    A sense of timelessness rings throughout Richie Havens' latest release, Nobody Left to Crown, as though the passing years have only strengthened the meaning of his soul-filled folk rock. Nobody Left to Crown, released to the US on Verve Records on July 29th, attests that Richie Havens has never been more relevant, necessary even, than he is today.

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  • Day 2 of the Mile High Music Festival
    Sunday morning hit me like a ton of bricks. I’d been out for the first day of Mile High, leaving sometime around 1:30 am for the drive home, and only slept about 6 hours before I was out of bed again. In some ways, being able to sleep at home was a bonus. I got to shower, for example. But leaving the scene of the crime takes the fight out of a person, makes them soft. To beat the elements, be they natural or of man’s design, one must enter a Zen-like state of self-preservation. Stamina and persistence are the stimulants of necessity, but going home removes you from the game, takes you out of character. Without waking up in the game, the weather felt just as hot, I felt just as thirsty, and the lack of sleep felt like it really mattered.

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  • Day 2 of the Mile High Music Festival
    Sunday morning hit me like a ton of bricks. I’d been out for the first day of Mile High, leaving sometime around 1:30 am for the drive home, and only slept about 6 hours before I was out of bed again. In some ways, being able to sleep at home was a bonus. I got to shower, for example. But leaving the scene of the crime takes the fight out of a person, makes them soft. To beat the elements, be they natural or of man’s design, one must enter a Zen-like state of self-preservation. Stamina and persistence are the stimulants of necessity, but going home removes you from the game, takes you out of character. Without waking up in the game, the weather felt just as hot, I felt just as thirsty, and the lack of sleep felt like it really mattered.

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  • Joby's Retro Reviews (JGB 8-29-1987)
    In honor of what would be Jerry's 66th birthday today, the Grateful Web is featuring JGB in our most recent 'retro review.' Happy Birthday, Jerry!

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  • Joby's Retro Reviews (JGB 8-29-1987)
    In honor of what would be Jerry's 66th birthday today, the Grateful Web is featuring JGB in our most recent 'retro review.' Happy Birthday, Jerry!

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  • Backstage with BoomBox
    On the 25th of July, BoomBox played the Fox Theatre in Boulder, CO. Their music is a unique blend of electronica, funk, and southern rock, the likes of which I’ve never quite seen before. Bringing in crowds of both rock and electronica fans, BoomBox is getting bigger all the time. Zion Godchaux, son of former Grateful Dead members Keith and Donna Jean Godchaux, plays guitar and sings. Russ Randolph, DJ, producer, multi-track sequencer, and lights guy, does everything else. Before the show Grateful Web's Sam Holloway had the opportunity to catch up with the band backstage.

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  • Backstage with BoomBox
    On the 25th of July, BoomBox played the Fox Theatre in Boulder, CO. Their music is a unique blend of electronica, funk, and southern rock, the likes of which I’ve never quite seen before. Bringing in crowds of both rock and electronica fans, BoomBox is getting bigger all the time. Zion Godchaux, son of former Grateful Dead members Keith and Donna Jean Godchaux, plays guitar and sings. Russ Randolph, DJ, producer, multi-track sequencer, and lights guy, does everything else. Before the show Grateful Web's Sam Holloway had the opportunity to catch up with the band backstage.

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  • Backstage with BoomBox
    On the 25th of July, BoomBox played the Fox Theatre in Boulder, CO. Their music is a unique blend of electronica, funk, and southern rock, the likes of which I’ve never quite seen before. Bringing in crowds of both rock and electronica fans, BoomBox is getting bigger all the time. Zion Godchaux, son of former Grateful Dead members Keith and Donna Jean Godchaux, plays guitar and sings. Russ Randolph, DJ, producer, multi-track sequencer, and lights guy, does everything else. Before the show Grateful Web's Sam Holloway had the opportunity to catch up with the band backstage.

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  • Kimock with the Everyone Orchestra in San Francisco on 8.9.08
    Steve Kimock will be joining the Everyone Orchestra on August 9th, 2008 at the Great American Music Hall. Matt Butler will conduct, with Kimock, Dan Lebowitz, Audio Angel, members of Jambay, Legendary Nigerian percussionist Sikiru Adepoju and many special guests.

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  • Kimock with the Everyone Orchestra in San Francisco on 8.9.08
    Steve Kimock will be joining the Everyone Orchestra on August 9th, 2008 at the Great American Music Hall. Matt Butler will conduct, with Kimock, Dan Lebowitz, Audio Angel, members of Jambay, Legendary Nigerian percussionist Sikiru Adepoju and many special guests.

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  • Holly Golightly & the Brokeoffs' first U.S. Album & Dates
    Holly Golightly & the Brokeoffs, heralded by NME as “a glorious example of what rock ’n’ roll should be,” has signed with Transdreamer Records (distributed by MRI Distribution/RED) and are preparing their first American release as a band. Titled Dirt Don’t Hurt, the CD is slated for a street date of October 14, 2008. “Band,” however, is a figurative term for Holly and company— Holly Golightly and Lawyer Dave (a.k.a. the Brokeoffs) sing and play guitar, as well as drums, banjo, standup bass and an array of other instruments. It’s just the two of them.

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  • Holly Golightly & the Brokeoffs' first U.S. Album & Dates
    Holly Golightly & the Brokeoffs, heralded by NME as “a glorious example of what rock ’n’ roll should be,” has signed with Transdreamer Records (distributed by MRI Distribution/RED) and are preparing their first American release as a band. Titled Dirt Don’t Hurt, the CD is slated for a street date of October 14, 2008. “Band,” however, is a figurative term for Holly and company— Holly Golightly and Lawyer Dave (a.k.a. the Brokeoffs) sing and play guitar, as well as drums, banjo, standup bass and an array of other instruments. It’s just the two of them.

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  • Rex Foundation: Black Tie Dye Ball w/ DSO – 9/27/08
    Dark Star Orchestra will be playing a benefit show for the Rex Foundation. The show is taking place on September 27th, in Hollywood, California.

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  • Rex Foundation: Black Tie Dye Ball w/ DSO – 9/27/08
    Dark Star Orchestra will be playing a benefit show for the Rex Foundation. The show is taking place on September 27th, in Hollywood, California.

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  • Creedence Clearwater LPs Reissued on Sept 30th, 2008
    The first six albums by Rock ‘n’ Roll Hall of Fame inductees Creedence Clearwater Revival will be reissued by Fantasy Records (a unit of Concord Music Group) on September 30, 2008 as six individual expanded-edition CDs. The set marks the legendary band’s 40th anniversary. The albums — Creedence Clearwater Revival, Bayou Country, Green River, Willy & the Poor Boys, Cosmo’s Factory and Pendulum, all originally released from 1968-70 —have been digitally remastered and contain an array of rarities: B-sides, unreleased studio and live material, even a summit between the band and Booker T & the MGs.

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  • Creedence Clearwater LPs Reissued on Sept 30th, 2008
    The first six albums by Rock ‘n’ Roll Hall of Fame inductees Creedence Clearwater Revival will be reissued by Fantasy Records (a unit of Concord Music Group) on September 30, 2008 as six individual expanded-edition CDs. The set marks the legendary band’s 40th anniversary. The albums — Creedence Clearwater Revival, Bayou Country, Green River, Willy & the Poor Boys, Cosmo’s Factory and Pendulum, all originally released from 1968-70 —have been digitally remastered and contain an array of rarities: B-sides, unreleased studio and live material, even a summit between the band and Booker T & the MGs.

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  • Keller Williams Releases LIVE and Announces Fall Tour
    Keller Williams has built a career on his uncanny ability to captivate a packed house-all by himself. So why now, after fifteen-years as a solo artist, is he releasing a live album-simply titled, Live-with three other names on the cover? It turns out that since he first picked up a guitar, this troubadour has wanted to front a band.

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  • Keller Williams Releases LIVE and Announces Fall Tour
    Keller Williams has built a career on his uncanny ability to captivate a packed house-all by himself. So why now, after fifteen-years as a solo artist, is he releasing a live album-simply titled, Live-with three other names on the cover? It turns out that since he first picked up a guitar, this troubadour has wanted to front a band.

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  • New Year's Eve Show Marcus Goldhaber W/The Jon Davis Trio
    When Marcus was growing up, every night after dinner his mother would call him over to the piano to teach him a new song. She had no great plan to train him professionally, she only wanted him to know this music and have it a part of his life. She would always say, “This is a great one for you to know.”

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  • This Weekend At Cornelia Street Cafe (NYC)
    Michael Formanek may have one of the most diverse biographies in contemporary improvised music. At first glance his list of musical affiliations is both intriguing and confusing. Spanning nearly twenty three years he has played and/or recorded with Tim Berne, Freddie Hubbard, Stan Getz, Marty Ehrlich, Chet Baker, Tony Williams, Gerry Mulligan, Kevin Mahogany, Fred Hersch, Marimolin, Dave Liebman, Uri Caine, Joe Henderson, Mark Isham, James Emery, Bob Mintzer, Mingus Dynasty, Mingus Big Band, Terumasa Hino, Cedar Walton, Attila Zoller, Eddie Daniels, George Coleman, Franco Ambrosetti, Jane Ira Bloom, Ted Rosenthal, Bob Moses, Daniel Schnyder, and Gunther Schuller.

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  • This Weekend At Cornelia Street Cafe (NYC)
    Michael Formanek may have one of the most diverse biographies in contemporary improvised music. At first glance his list of musical affiliations is both intriguing and confusing. Spanning nearly twenty three years he has played and/or recorded with Tim Berne, Freddie Hubbard, Stan Getz, Marty Ehrlich, Chet Baker, Tony Williams, Gerry Mulligan, Kevin Mahogany, Fred Hersch, Marimolin, Dave Liebman, Uri Caine, Joe Henderson, Mark Isham, James Emery, Bob Mintzer, Mingus Dynasty, Mingus Big Band, Terumasa Hino, Cedar Walton, Attila Zoller, Eddie Daniels, George Coleman, Franco Ambrosetti, Jane Ira Bloom, Ted Rosenthal, Bob Moses, Daniel Schnyder, and Gunther Schuller.

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  • RIBS & BRISKET REVUE New Year's Eve at Cornelia Street
    Hard blowing, finger-snapping, klezmer-inflected jazz and wailing big city blues that suddenly slips into Yiddish; Shapiro tips his beret to Slim Gaillard with a couple of his tunes in praise of kosher cuisine, pours soul sauce and reggae beats over Jewish comedy songs and generally rips into things with just the right mix of irreverence and affection... Respect is due to John Zorn's Tzadik label for bringing this unique recording to the world. There really is no one else doing it quite like Shapiro!

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  • RIBS & BRISKET REVUE New Year's Eve at Cornelia Street
    Hard blowing, finger-snapping, klezmer-inflected jazz and wailing big city blues that suddenly slips into Yiddish; Shapiro tips his beret to Slim Gaillard with a couple of his tunes in praise of kosher cuisine, pours soul sauce and reggae beats over Jewish comedy songs and generally rips into things with just the right mix of irreverence and affection... Respect is due to John Zorn's Tzadik label for bringing this unique recording to the world. There really is no one else doing it quite like Shapiro!

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  • Marco Granados Winner Best Latin Jazz Flautist of 2008
    Marco Granados and Un Mundo Ensemble perform music from their homeland, Venezuela. Venezuelan music is characterized by fast melodies, complex syncopated rhythms, and jazzy harmonies that blend the traditions of African, European and native cultures with sense of sophistication that is truly unique. A lot of Un Mundo’s arrangements are virtuosic, giving the performers the opportunity to display mastery of their instruments. The different styles performed by the ensemble represent the typical forms most commonly enjoyed by the Venezuelan listener. These styles include: the Joropo, the Merengue, the Tonada, the Gaita, and the Valse (or Waltz).

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  • Marco Granados Winner Best Latin Jazz Flautist of 2008
    Marco Granados and Un Mundo Ensemble perform music from their homeland, Venezuela. Venezuelan music is characterized by fast melodies, complex syncopated rhythms, and jazzy harmonies that blend the traditions of African, European and native cultures with sense of sophistication that is truly unique. A lot of Un Mundo’s arrangements are virtuosic, giving the performers the opportunity to display mastery of their instruments. The different styles performed by the ensemble represent the typical forms most commonly enjoyed by the Venezuelan listener. These styles include: the Joropo, the Merengue, the Tonada, the Gaita, and the Valse (or Waltz).

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  • 12/29 & 12/30/97 on LivePhish Radio this Monday & Tuesday
    An early New Year's treat from LivePhish.com: starting at 2PM EST on Monday 12/29 and Tuesday 12/30, LivePhish.com will broadcast both 12/29/97 and 12/30/97, respectively, in their entirety on Live Phish Radio.

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  • 12/29 & 12/30/97 on LivePhish Radio this Monday & Tuesday
    An early New Year's treat from LivePhish.com: starting at 2PM EST on Monday 12/29 and Tuesday 12/30, LivePhish.com will broadcast both 12/29/97 and 12/30/97, respectively, in their entirety on Live Phish Radio.

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  • Tiësto named Mixmag's #1 DJ in 2008
    Tiësto is excited about topping off this fantastic year with this acknowledgement and says, "I am honored that Mixmag chose me as the number one DJ of 2008. I had an amazing year and would like to thank Mixmag and their readers for their support!"

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  • Tiësto named Mixmag's #1 DJ in 2008
    Tiësto is excited about topping off this fantastic year with this acknowledgement and says, "I am honored that Mixmag chose me as the number one DJ of 2008. I had an amazing year and would like to thank Mixmag and their readers for their support!"

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  • Mike Berkowitz & the Gene Krupa Band at Iridium for Gene's 100th Birthday
    Star drummer Gene Krupa and his Orchestra were the hottest of the hot stuff in the big band years. Fortunately Mike Berkowitz, an incredible drummer of today rescued the brilliant Krupa arrangements and put together a phenomenal aggregation of some of our New York Jazz world's swingingest musicians and Vocalist extraordinaire, Cassie Miller from L.A. Not just for nostalgia buffs and music historians, any real jazz lover has to be thrilled by the sounds made by this amazing 16-piece group. Scott Barbarino has booked them into the Iridium, the premiere Jazz room (on West 51 Street and Broadway) on Tuesday, January 13, which coincides with what would have been Gene Krupa's 100th birthday.

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  • Mike Berkowitz & the Gene Krupa Band at Iridium for Gene's 100th Birthday
    Star drummer Gene Krupa and his Orchestra were the hottest of the hot stuff in the big band years. Fortunately Mike Berkowitz, an incredible drummer of today rescued the brilliant Krupa arrangements and put together a phenomenal aggregation of some of our New York Jazz world's swingingest musicians and Vocalist extraordinaire, Cassie Miller from L.A. Not just for nostalgia buffs and music historians, any real jazz lover has to be thrilled by the sounds made by this amazing 16-piece group. Scott Barbarino has booked them into the Iridium, the premiere Jazz room (on West 51 Street and Broadway) on Tuesday, January 13, which coincides with what would have been Gene Krupa's 100th birthday.

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  • New Years Eve Party, Ky-mani Marley, TOK, Turblence, & Pressure
    New Years Eve Party at 2b1 Multimedia Inc. 3075 17th Street, San Francisco, featuring: Ky-mani Marley, TOK, Turbulence, Pressure and Winstrong.

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  • New Years Eve Party, Ky-mani Marley, TOK, Turblence, & Pressure
    New Years Eve Party at 2b1 Multimedia Inc. 3075 17th Street, San Francisco, featuring: Ky-mani Marley, TOK, Turbulence, Pressure and Winstrong.

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  • WU Years Eve Bash
    If you're looking for something to do New Year's Eve this year and you're in the neighborhood of Minneapolis, fall by The Boardroom at Trocaderos on Wednesday night for a four-band groove extravaganza on two stages, hosted by local music partiers The Big Wu.

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  • WU Years Eve Bash
    If you're looking for something to do New Year's Eve this year and you're in the neighborhood of Minneapolis, fall by The Boardroom at Trocaderos on Wednesday night for a four-band groove extravaganza on two stages, hosted by local music partiers The Big Wu.

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  • Toubab Krewe NYE in Denver + Winter Tour!
    Toubab Krewe is thrilled to be in Denver for NYE tonight at Cervantes' Masterpiece Ballroom. Special guest Rayna Gellert (Uncle Earl) joins the band for the run on fiddle.

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  • Toubab Krewe NYE in Denver + Winter Tour!
    Toubab Krewe is thrilled to be in Denver for NYE tonight at Cervantes' Masterpiece Ballroom. Special guest Rayna Gellert (Uncle Earl) joins the band for the run on fiddle.

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  • The Dead to Tour in 2009...
    The lineup for this edition of The Dead will be the same one that rocked the house at Penn State last fall at the Obama benefit: The Core Four of Phil Lesh, Bob Weir, Mickey Hart and Bill Kreutzmann, joined by guitar monster Warren Haynes and RatDog keyboard ace Jeff Chimenti (both veterans of the 2004 Dead "Wave That Flag" tour).

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  • The Dead to Tour in 2009...
    The lineup for this edition of The Dead will be the same one that rocked the house at Penn State last fall at the Obama benefit: The Core Four of Phil Lesh, Bob Weir, Mickey Hart and Bill Kreutzmann, joined by guitar monster Warren Haynes and RatDog keyboard ace Jeff Chimenti (both veterans of the 2004 Dead "Wave That Flag" tour).

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  • Jesse Elder Quintet live at the Blue Note Tonight
    Jesse is a NYC based jazz composer, pianist and band leader. He has performed at venues such as the Blue Note, Smalls, Minton's Playhouse, Fat Cat, Top of the Rock, the Jazz Standard, and Town Hall. Jesse graduated from Interlochen Arts Academy where he received a "Fine Arts Award in Jazz Performance" and went on to study on scholarship at Oberlin Conservatory and New School University for Jazz and Contemporary Music. Jesse performs his original compositions with renowned jazz artists such as Nasheet Waits, Ben Street, Chris Cheek, Tyshawn Sorey, Logan Richardson, Gary Thomas and others.

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  • Jesse Elder Quintet live at the Blue Note Tonight
    Jesse is a NYC based jazz composer, pianist and band leader. He has performed at venues such as the Blue Note, Smalls, Minton's Playhouse, Fat Cat, Top of the Rock, the Jazz Standard, and Town Hall. Jesse graduated from Interlochen Arts Academy where he received a "Fine Arts Award in Jazz Performance" and went on to study on scholarship at Oberlin Conservatory and New School University for Jazz and Contemporary Music. Jesse performs his original compositions with renowned jazz artists such as Nasheet Waits, Ben Street, Chris Cheek, Tyshawn Sorey, Logan Richardson, Gary Thomas and others.

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  • Turbine Rumbles in the Red Fish
    Rightmire’s harmonica is almost certainly the band’s most exciting feature. It functions like a mouth-operated synthesizer, electrified, and run through a huge board of pedals. At times it sounds like a DJ scratch kit, at others it sounds like something from outer space. Sometimes it sounds like a regular harmonica. Rightmire’s epic lung capacity allows him to jam out on the mouth harp with incredible longevity. Long after most people would have blacked out and fallen over, Rightmire keeps the notes flowing, rocking around like a man possessed. I felt lightheaded just watching.

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  • Turbine Rumbles in the Red Fish
    Rightmire’s harmonica is almost certainly the band’s most exciting feature. It functions like a mouth-operated synthesizer, electrified, and run through a huge board of pedals. At times it sounds like a DJ scratch kit, at others it sounds like something from outer space. Sometimes it sounds like a regular harmonica. Rightmire’s epic lung capacity allows him to jam out on the mouth harp with incredible longevity. Long after most people would have blacked out and fallen over, Rightmire keeps the notes flowing, rocking around like a man possessed. I felt lightheaded just watching.

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  • Attention Colorado: Umphrey’s is on the Way!
    Chicago’s favorite export is coming to Colorado, and I’m not talking about either crooked politicians or Da Bears. I’m talking about Umphrey’s McGee, who will be doing a four-night stint along the Front Range later this month, beginning at the Aggie in Fort Collins on the 22nd. From there, UM will be stopping at the Boulder Theater on the 23rd, with back to back gigs in Denver at the Fillmore and Cervantes on the 24th, and a show in Breckenridge on the 25th.

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  • Attention Colorado: Umphrey’s is on the Way!
    Chicago’s favorite export is coming to Colorado, and I’m not talking about either crooked politicians or Da Bears. I’m talking about Umphrey’s McGee, who will be doing a four-night stint along the Front Range later this month, beginning at the Aggie in Fort Collins on the 22nd. From there, UM will be stopping at the Boulder Theater on the 23rd, with back to back gigs in Denver at the Fillmore and Cervantes on the 24th, and a show in Breckenridge on the 25th.

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  • New Years Eve: Zeppelin Reborn as Rose Hill Drive
    The promise of hearing Zeppelin II was a deal-maker as well, the kind of rock and roll Rose Hill Drive does best. But when the band opened up with Trans Am, an original track off the band’s latest, Moon is the New Earth, the crowd didn’t know what to think. As it would turn out, the change up was so that the band wouldn’t have to pause in the middle of Zeppelin II to play Auld Lang Syne, release the balloons, and watch the happy couples make out on the dance floor. Good thing too, because once these guys got going, there was no stopping them.

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  • New Years Eve: Zeppelin Reborn as Rose Hill Drive
    The promise of hearing Zeppelin II was a deal-maker as well, the kind of rock and roll Rose Hill Drive does best. But when the band opened up with Trans Am, an original track off the band’s latest, Moon is the New Earth, the crowd didn’t know what to think. As it would turn out, the change up was so that the band wouldn’t have to pause in the middle of Zeppelin II to play Auld Lang Syne, release the balloons, and watch the happy couples make out on the dance floor. Good thing too, because once these guys got going, there was no stopping them.

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  • Jacob Fred Jazz Odyssey Announce New Lineup & Jan./Feb. Tour Dates
    Jacob Fred Jazz Odyssey are very pleased to announce a revamped lineup for 2009. The odyssey continues with Brian Haas on keys, Josh Raymer on drums, and proudly introducing new members Chris Combs on guitar and lap steel and Matt Hayes on bass. The reconfigured band made its debut on New Year's Eve to an elated sold out crowd in Tulsa, Oklahoma. They'll make their next apperance this coming Saturday, January 10th in New York City as part of the 2009 Winter Jazzfest.

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  • Jacob Fred Jazz Odyssey Announce New Lineup & Jan./Feb. Tour Dates
    Jacob Fred Jazz Odyssey are very pleased to announce a revamped lineup for 2009. The odyssey continues with Brian Haas on keys, Josh Raymer on drums, and proudly introducing new members Chris Combs on guitar and lap steel and Matt Hayes on bass. The reconfigured band made its debut on New Year's Eve to an elated sold out crowd in Tulsa, Oklahoma. They'll make their next apperance this coming Saturday, January 10th in New York City as part of the 2009 Winter Jazzfest.

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  • Jones Street Station Announce January Tour
    Jones Street Station make American music that is both contemporary and classic in character. Veterans of New York City's roots music community, they released their debut album Overcome (as The Jones Street Boys) on Smith Street Records in October 2007. They are currently finishing their second album to be released in mid-2009.

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  • Jones Street Station Announce January Tour
    Jones Street Station make American music that is both contemporary and classic in character. Veterans of New York City's roots music community, they released their debut album Overcome (as The Jones Street Boys) on Smith Street Records in October 2007. They are currently finishing their second album to be released in mid-2009.

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  • Switzerland Meets New York @ The Canal Room, NYC
    Beat Kaestli moved to New York from his native Switzerland, where he was awarded a scholarship to the Manhattan School of Music and he received his Master Degree from the Aaron Copland School of Music. While honing his craft alongside luminaries such as Jane Monheit, Jason Moran and Stefon Harris, he immersed himself in Manhattan’s fiercely competitive music scene, and now appears in clubs such as The Blue Note, Birdland, The Bitter End, The Jazz Standard, The Stone and Sweet Rhythm, performing with jazz greats, like Esperanza Spalding, Clarence Penn, Joel Frahm and Victor Prieto.

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  • Switzerland Meets New York @ The Canal Room, NYC
    Beat Kaestli moved to New York from his native Switzerland, where he was awarded a scholarship to the Manhattan School of Music and he received his Master Degree from the Aaron Copland School of Music. While honing his craft alongside luminaries such as Jane Monheit, Jason Moran and Stefon Harris, he immersed himself in Manhattan’s fiercely competitive music scene, and now appears in clubs such as The Blue Note, Birdland, The Bitter End, The Jazz Standard, The Stone and Sweet Rhythm, performing with jazz greats, like Esperanza Spalding, Clarence Penn, Joel Frahm and Victor Prieto.

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This Week, STS9 finds their brand-new, highly anticipated studio album, Peaceblaster, charting: #10 on Billboard's Electronic Chart, #27 on Billboard's Heatseeker Chart, and #2 on iTUNES Electronic Chart.  Peaceblaster was released on the band's self-owned record label, 1320 Records, on July 8th -just in time for their summer tour.

This month STS9 teams up with touring heavyweights Umphrey's McGee for one of the hardest-hitting tours of the summer, and stops in Midwest and east coast cities throughout July.  The tour is already off to an incredible start, averaging nearly 3,000 tickets per show - including a record breaking walk-up at Chicago's Charter One Pavilion that resulted in a crowd of over 5,000 tickets sold.  STS9 continues their tour tonight at a sold out Roseland Ballroom in New York City. In August, STS9 heads west for a run of high profile headlining shows. A complete list of STS9's U.S. summer appearances follows.

STS9 and Umphrey's McGee stop in the following cities:
July 24 Roseland Ballroom New York NY
July 24 Blender at Gramercy New York NY (STS9 AFTER PARTY)
July 25 Festival Pier at Penn's Landing Philadelphia PA
July 25 Fillmore at TLA Philadelphia PA (UMPHREY'S AFTER PARTY)
July 26 Bank of America Pavilion Boston MA
July 27 Pier 6 Concert Pavilion Baltimore MD
July 30 House of Blues Myrtle Beach SC
July 31 Koka Booth Amphitheatre Cary NC
July 31 Lincoln Square Theatre Raleigh NC (UMPHREY'S AFTER PARTY)
August 01 Masquerade Music Park Atlanta GA
August 02 Masquerade Music Park Atlanta GA

With STS9 western U.S. headlining shows including:
August 15 The Independent San Francisco, CA (SOLD OUT)
August 16 The Greek Theatre Berkeley, CA with Bassnectar and special guest TBA  
August 22 McMenamin's Edgefield Portland, OR with special guests Blackalicious
August 23 Marymoor Amphitheatre Seattle, WA with special guests Blackalicious
September 04 Boulder Theatre Boulder, CO (SOLD OUT)
September 05 Red Rocks Amphitheatre Morrison, CO with special guests Talib Kweli and Flying Lotus
September 06 Red Rocks Amphitheatre Morrison, CO with special guests Ghostland Observatory and Bassnectar
September 20 San Diego Street Scene San Diego CA

All shows on-sale now at www.sts9.com and on-sale locally through Ticketmaster at www.ticketmaster.com.

Consider the title of the California-based outfit's long-awaited fourth album: Peaceblaster. The two words rub against each other to create an image that is simultaneously utopian and violent, fraught with the very contradiction that permeates America circa now. The result is a tour-de-force of gut-punching rhythms and textured, shimmering tones. The songs don't seem to have been written so much as plucked from the sky. It's as if the beats and melodies have always existed, just waiting for STS9 to channel them.  STS9 already has a tremendous fan base, but Peaceblaster is perhaps more accessible than the band's previous efforts. Peaceblaster is, of course, dense with the Eno-esque layering of live and electronic instruments that STS9 is known for-the chords and samples swirling atop the pulsing bass and drums. But between the beats there is a distinctly human element absent from past records. 

STS9's Peaceblaster comes nearly three years after their acclaimed 2005 releases, Artifact & Artifact: Perspectives, both of which were named in iTunes list of top albums of the year.  After a flurry of industry attention, STS9 retreated from the limelight to do what they love most: play music. On the touring front, STS9 reached number 29 on Pollstar Magazine's "PULSE Charts" of the country's top touring artists. The band has shared the stage with a diverse range of acts including James Brown, Jurassic 5, Tortoise, Digable Planets, RJD2, De La Soul, The Brazilian Girls, Prefuse 73, Blackalicious, Saul Williams, Soulive, Cut Chemist, and many others, and has played such festivals as Austin City Limits Festival, Lollapalooza, Bonnaroo, Winter Music Conference, and Vegoose Festival.  Recently, the band sold out a 4 night headlining run at Atlanta's Tabernacle, and a 2 night run at Denver's Fillmore Auditorium.

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